James Whistler - Nocturne, Grey and Gold, 1874. Oil on canvas
still life, Giorgio Morandi, 1960
9 7/8 x 15¾ in. (25.7 x 40 cm.)
still life, Giorgio Morandi, 1943
14 1/8 x 18 5/8 in. (36 x 47.3 cm.)
Eggplants in a Basket, Japanese (woodblock print) late Edo Period; Ukiyo-e; surimono
The world or what we term the world, that medium in which we find ourselves, and indeed whatever of it we set apart and term selves, is not related to what we make of it and not dependent on what we make of the world or make of ourselves. It is not in the least altered, nor is our basic nature altered, by any cosmology or culture or individual character we may devise, or by the failure or destruction of any of these, as all of them fail. If they seem for a time to succeed, they blind us as though they were real; and it is by our most drastic failures that we may perhaps catch glimpses of something real, of something which is. It merits our whole mind. The good society and the good life are more than we could imagine. To devise them or to assert and defend their devising is not the point.
— from Copan: Historicity Gone -
Vectors and Smoothable Curves - Collected Essays (New Edition, Talisman House, 1996), William Bronk (via
bronkpost)
Evening Landscape, Vincent van Gogh, 1885
Light Sea Mood, Emil Nolde, 1901
Blossoming Almond Tree, Vincent Van Gogh
(via skeelys)
untitled, Shinichi Sawada
info
Norham Castle, Sunrise, oil on canvas, 1845 ~ JMW Turner
(via air-and-angels)